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Autumn 2006 Focus on Making a Move
By the time you are reading this issue of Animated we will have held the official launch of Making a Move: a strategy for the development of a professional framework for community dance. Making a Move is a fundamental gearshift for the Foundation for Community Dance and will, if we succeed, have significant impacts and benefits for artists, practitioners and their employers.
We asked people in a variety of roles - artists andpractitioners, managers, employers and providers of continuing professional development opportunities - to respond to the Strategy from their individual perspective. Tom Bewick, the Chief Executive of Creative & Cultural Skills, the Sector Skills Council for the creative and cultural industries, has kindly written an overview to place Making a Move in a wider context.
All of the contributors have acknowledged the challenges of bringing this... Read more
In this issue
| Donald Hutera goes down under | | | Ken Bartlett, Creative Director, Foundation for Community Dance | | | The National Youth Dance Festival organised by Youth Dance England in LEEDS 17-21 July 2006 | |
The focus: Making a Move: A strategy for the development of a professional framework for community dance | | Christina Christou, Head of Education and Community Department, Akademi | | | Chris Fogg, Director of Take Art: Dance, the county dance agency for Somerset | | | Anna Daly, Community Dance Artist, Ludus Dance | | | Sue Davies, Dance Services Manager, Swindon Dance | | | Introduction by Ken Bartlett, Creative Director, Foundation for Community Dance | | | Kathryn Deane, Director, Sound Sense | | | Gillian Dale, Development Director, Community Dance Wales | | | Diane Amans, Director, Freedom in Dance | | | Tom Bewick, Chief Executive, Creative & Cultural Skills | | | Adam Holloway, Business Director, Cheshire Dance | | | Pauline Tambling, Executive Director Development, Arts Council England | |
Professional development | | Yael Flexer, Artistic Director of Bedlam Dance Company, on the making and touring of Shrink'd, an interactive installation & live performance event | | | Caroline Bowditch reports on her extraordinary experience of East London Dance's innovative choreographic development programme for disabled dance artists in Autumn 2005 | | The interviews | Marion Gough's pivotal role in the development of dance education in the UK has long been recognised. Here she offers a poignant account of crucial influences
| | | Dick Matchett highlights, issues which the dance profession just lovesto chew over - without, reaching any clear-cut conclusions | | Young people and the criminal justice system | | Sarah Trist, independant dance manager and General Manager of Protein Dance, introduces the Real Life, Real Dance Symposium | | | Graham Robb offers us an insight and some practical information on how we in dance can contribute positively to the lives of young people who offend | | Richard Ings on Protein Dance's work with Pupil Referral Units
| | | Dance United works in the criminal justice system. Artistic Director, Tara Herbert, sets out her vision for a new dance academy that aims to give a future to young people who offend | |
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